Week 10 - homework task

I have used the following image as the idea of how to complete the template given to us be Lea. I downloaded some floral brush set from brusheezy.com, and used it to removed colour and place colour in over the background colouring (a watercolour brush previously downloaded). I used a spray effect for the make-up which the area was selected by magnetic lasso. I had to use the eraser tool on the facial area where the brushes had gone over because of the nature of the jpg, defining areas was difficult to do. 

  

Image from
http://fashionversusart.blogspot.com.au/2009/11/fashion-illustration.html

                            

Week 10 - rendering

This week Lea went through techniques of adding light and shade into the body using the dodge and burn tools, selecting skin tone, and highlighting hair and make up. We also learnt how to suggest textures like fur using brushes (seen in the last photo).

Week 9 - then we went through how to render our sketches...

After scanning in our own sketches, we were sent home to place our own print design into our sketches with consideration to the drape of the garment. To sum up how this process happened....contigious off, select, contigious on, select and repeat. We tidied up our hand drawn sketches and then made sure that we were always using another layer as to have the sketch still as a usable file if need for another print or colour. After filling the page with the print (duplicated until the correct scale was achieved) the print layers were multiplied and multiplied and transformed using the warp. My result is posted below.

Week 9 - Rendering.... Firstly cleaning up images.

Lea went through all the methods of rendering an image. We cleaned up the 2 images below using the clone tool and the spot healing tool. You can see that the shoe strap has been removed in one image and some of the background information removed in the other and also the woman's face has been smoothed over.

And.....it's done.

I finally finished it! yay! I am quite happy with the outcome. Even though I dabbled with making a textured background, I figured that the texture in the background of the border shape and in the leaf motif was sufficient. To successfully define the pattern took a couple of goes to make sure there were no track marks, but testing and testing resulted in a seamless fill. To complete the final selection for the working copy, I found that cutting out the left side and dragging it to the right aided in the seamlessness. 

Below are the final fill, and working copies!

Working copy

Filled

Half drop?

Now I have done the most brain draining task (creating what I thought was an ogee pattern was really strenuous!) and have the motif I want to work with, I am playing around with how the pattern should be laid out. I thought initially the motif would be more obvious as to having 2 curvy shapes with in it, but when I played around with using the half drop method, I found it quite successful.

Half Drop ( before moving each motif to avoid the bird formation)

This would have been side by side, not sure why I didn't take a screen shot of it as I did this one, as I took screen shots of everything else.

 I really like the movement between the motifs, it seams to have a more flowing nature. Using the guidelines I played around with the position of each row, and I am finally able to select an area to define a pattern and test in a fill.

This is me trying to blend the watercolour brush background, wasn't the best result. 

Did I create an ogee pattern?

After looking back at my 'ogee' design, I am not so sure I really created one. However, ogee means a particular S type shape, and the outline of my pattern has created one!

I also looked back over the images I created from my drawings and found that I really liked this and figured that sometimes the first response is usually my most successful.

First design, as posted previously. I will use this motif in the final design.

The ogee design that reminded my of the flowing creek, and idea of water. http://www.trueup.net/2008/the-daily-swatch/daily-swatch-ogee-week-2/

I created the leaf motif by scanning in my drawing and using selection tools to create a boundary. As I was working with water, I used the previously downloaded watercolour brushes to colour in the leaf. I played a round with the opacities and with the colours. I wanted very strong colours, so when I came across the red and blue I felt these colours were not only strong but also related to the colour of the water and of the bright red roots of the lillie stems. The Stems in the motif were also selected from one of my scanned in sketches. I paintbucketed the selection with a dark grey, then placed an effects over the top (outline). When I put the stems and the leaves together ( as they came from different sketches) I used the transform tool  to rotate and flip the motif to create more of a tossed design. I then placed this on a textured black background.
As I now have the shape for the 'ogee' ( as I'm still not certain if it is one!) I places the two designs together again using the selection tools and assuring that the layers are in the right order. To create the outline of the pattern (another layer) I filled with  black then went over the top with a grey toned watercolour brush, like used in the leaf motif. 

Selecting the design area, I wanted to have the leaf design look more 'tossed'

I tried the design with brush layer over the top, but I did not like the loss of clarity

Selected and cut out. This is the design I then worked with for the final design.

I was going to use this shape, but the brushed background was to varied and was exceptionally difficult to remove the track marks in each tile.